It was recently brought to my attention that we here at the Jr. Editors Desk have made a serious mistake. It seems that we got our Jessica’s crossed somewhere. I’m not sure if you know but mixing Jessica’s can be a dangerous business. Your email boxes rebel, your Open Office documents vanish into the digital void, your credibility and self esteem are thoroughly challenged. Lucky for us all we are champions of literary might and we have once again, with the help of a few friends, and two Jessica’s, brought to you yet another compelling and thrilling Author Interview. The best thing about it is that you get to have not one, but two thrilling interviews in one issue.

Jessica Stilling was interviewed a few weeks ago. You can go check out what she really said here. http://debrincase.com/blog4/2010/08/02/talking-to-jessica-stilling/

Our other Jessica sent us a fantastically disturbing tale called Monkey Love. Monkey’s freak me out a bit, vicious dastardly little monsters. Jessica masterfully wound them into this twisted tale.

“Twisted? It’s just a little story about a man and his monkeys. But seriously, I actually started this story in a writing workshop at the local college. The professor gave us one of those exercises I always mock, like here are five words incorporate them in a story. The words were greasy, zoo and … well those were the only words I used so I forgot the others; turns out the class was full and I had to leave, but I took the first page of my story with me. See kids, you can get something for nothing. It also was inspired by my intense hatred of temping in poorly lit offices, after a few hours the fire ax starts to look pretty tempting.”

So I asked her a few more questions to round things out. Check out what she had to say, but be careful; don’t make the same mistake we made and get your Jessica’s mixed up.

Open Heart Publishing: Sorry about the mix-up. Can you ever forgive us?

Jessica Dunn: It’s all good; really not a big deal.

OHP: I always try to do my research. I had a difficult time finding you around the web. Start by telling us a bit about Jessica Dunn.

J.D.: As for internet presence, I do not have much of one. I know..bad writer…no milkbones. My reason, I am a bit of a misanthrope. I barely know what to do with the people I meet and know in person, much less the potential millions of cyberpeople out there. I have a blog on theicarusproject.net (which is a site that promotes radical mental health) under the name thebegnignconspiracy. Unfortunately, I do not update it as much as I should. Other reason, I am boring from the outside. I don’t do much that involves public, the most I have ever been in noticeably in public was when I dressed up for Otakon and everyone was dressed like a skanky anime chick with a giant sword and/or catears so I didn’t really stand out. Much of my day consists of grading papers, writing and cursing Resident Evil 4 when I have to shoot a zombie 5 times in the head with a shotgun before it dies. Occassionally I attempt to teach myself to play guitar and hope no one hears me.

OHP: The only thing better than killin’ Zombies is killin’ Nazis. But that may be an insignificant delusion. What do you feel is a delusion of insignificance?

J.D.: It is the belief that our choices are inconsequential. Like its misbegotten twin, this delusion is sadly often held by those to whom it least applies.

OHP: Yeah, some people just don’t know they have greatness right below the surface. What is an honest lie?

J.D.: The most effective kind.

OHP: An Honest Lie is a strange thing, but it’s a truth of our lives. Why did you submit your work to An Honest Lie?

J.D.: I had just finished editing Monkey Love and I was rather proud of myself (which in my world means reading it didn’t make me wish my eyes were bleeding so as to obscure the words) and I wanted to send it out into the world to be rejected over and over again and darn my luck, it got published instead. I also thought Andy would feel at home amongst the other delusions.

OHP: Are you working on anything we might get the privilege to read soon?

J.D.: Current projects include learning how to play Come As You Are, rescuing the president’s daughter (in Resident Evil 4, I promise Obama, I have never met your daughter), and a story I hope to finish soon entitled Everything You Need for Under One Dollar about a boy left to fend for himself in the wilds of the local dollar store.

OHP: Besides short stories what other writing endeavors are you currently engaged in?

J.D.: Besides this interview …? I am attempting to write some essays concerning mental health and capitalism as well as the life, works and philosophy of R.D. Laing. Maybe even a poem now and again.

OHP: Nice. I’m impressed. Who would you say your writing Mentor/Hero is?

J.D.: Albert Camus, he wrote the kinds of things that make you say, ‘I’ve thought this was so all my life but never had the words to express it.’ His writing is simple and poignant. It exposes the human animal in all its petty banality as well as exquisite dignity. All the important lessons of life can be found in his work: There is responsibility in freedom. There is a price for pointing out that the emperor has no clothes. And “none of your certainties are worth a single strand of a woman’s hair.”

OHP: You know many writers credit Earnest Hemmingway with being “the father of modern literature”; and that with the sort of simpering sycophancy that only aspiring writers can conjure. Do you think writers should call Earnest Hemmingway “Papa”?

J.D.: I think if they are looking for someone to fill the role of their father, they could do better, although depressive, alcoholic fathers never seem to go out of fashion.

OHP: Are there any authors, besides yourself, that you enjoy reading?

J.D: Albert Camus, Fyodor Dostoyevsky, Gunter Gräss, R.D. Laing, Chuck Palaniuk, Kurt Vonnegut, J.D. Salinger, and Edgar Allen Poe, to name the first that come to mind in no particular order. (Well o.k., Camus is my groove; talk about “Papa.”)

OHP: Do you have a writing nemesis?

J.D.: Those people that write truly insipid children’s books; the kind that lower the IQ of both child and parent. You know who you are.

OHP: In your opinion, which is the more important discovery of human kind … plumbing or the written word?

J.D.: I’ll put it to you this way, I love to write, but I love not being covered in my own shit more.

OHP: Point taken. What do you feel about the following quote: “Imagination is more important than knowledge?

J.D.: Remember when you used to know that Pluto was a planet? Imagination is far more reliable.

OHP: Mark Twain once said, “You can’t depend on your eyes when your imagination is out of focus.” What do you think he meant by that?

J.D.: Eyes are good for the surface of things; the imagination is what lets us look inside them.

OHP: It’s post Apocalyptica, what would be your greatest asset?

J.D.: My post Apocalyptica skill is the fact that I can roof (shingles, tar, even hot tin). Because let’s face it, if life as we know it ends and we are all scavenging for food, ammo and shelter on high ground no one is going to respond to a “will write for food” sign. Also I have an intense hatred for the walking dead and won’t go all soft if my friends or family die and then get back up and try to eat me. Sorry guys, but it’s a katana to the brain stem for you. Hesitation is the number one killer in the post-apocalyptic world.

OHP: Awesome! Most people have two stories for doing anything… a plausible excuse and the real reason, why do you really write?

J.D.: I come by my writing obsession honestly, the result of old fashioned boredom, school-aged delinquency, and isolation. I began to write in detention, and it soon extended to lunch and recess. I scribbled poems and flash fiction in the margins of my notebooks, I wrote sonnets in lieu of essays on my AP exam. I like writing anything, as long as I am supposed to be writing something else.

Jess Dunn has been writing since she was a wee thing, who had still not quite mastered how to end an “s.” She received her undergraduate education at Goucher College and her M.A. in Clinical Psychology from Towson University. She is currently a lecturer at Johns Hopkins University. Although she went to school for psychology and got a “real job,” she continues to write compulsively. Besides writing and subversively influencing the still malleable minds of undergraduates, her interests include radical mental health, outsider art, cephalopods, and zombie hordes. She currently lives in Baltimore, MD with her partner and her cat.