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Aug 31
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And Now … Our Fearless Leader Debrin Case

Posted on Tuesday, August 31, 2010 in Featured Publisher

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We here at Open Heart Publishing have had a ton of work on our plates but one bite at a time deadlines are being met and production is moving forward. With everything coming up on us in the next weeks I wanted to, halfway through; introduce you to our fearless leader, the Dictator of Deadlines, Debrin Case.

I remember when I first saw the friend request from An Honest Lie in my Facebook in box. I thought, “What the hell is an honest lie?” I’m glad I did the research because I was more than pleasantly surprised at what I found. There are so many small publishers out there, and I’m not one to point fingers, but Open Heart Publishing struck me immediately as one of the better ones. At the time Debrin was hiring and I was determined to get in on the Publishing business so I sent him an email. It wasn’t long before he got back to me and within a week he’d given me a call. I remember one of the first things he said to me was,

“I have to warn you I get a bit nervous around new people and when I’m nervous I cuss.”

It seems like such a small thing but it made him more real to me, more human, more accessible than the other interviewers I’ve had to deal with. I didn’t get the job then but Debrin and I remained in contact. When the time came he called me first and I appreciate it.

Debrin is a man with a focus and a plan and he does a fantastic job of bringing us all together to accomplish our goals. He may seem gentle and unassuming on the surface, but don’t be fooled he has an iron will and a remarkable depth of talent. He graces the Pages of An Honest Lie Volume 2 with a tale called Learning to Pray. today though we are going to talk to him about Open Heart Publishing and what exciting things are in store for us. But I’ll let him tell you about it.

Open heart Publishing: So you are the man who started it all. I feel I would not only be remiss if I didn’t ask, but I might get a few less than pleasant emails as well, so, what do you feel is a delusion of insignificance?

Debrin Case: I feel it would be a travesty for me to interpret the meaning of this year’s theme or the masthead . This is something I would rather leave to the interpretation of the individual reader as opposed to defining it and ruining all of the fun.

OHP: I can understand that. What is An Honest Lie?

D. C.: Like a Delusion of Insignificance, I feel it would be a travesty for me to interpret the meaning of this year’s theme or the masthead. This is something I would rather leave to the interpretation of the individual reader as opposed to defining it and ruining all of the fun.

OHP: Looks like we are going to be sticking with the party line on that one. But I asked him! No angry emails! Open Heart Publishing and the An Honest Lie anthologies are becoming pretty popular pretty fast; tell us something about where you are planning to take them in the future.

D.C.: AHL is heading into its second volume and wow what a great collection of authors we have found for our readership this year. It does my heart good to see a new cast of amazing authors to work with for volume 2, and as we get ready to embark on volume 3 it can only get better. As to what else to expect from Open Heart Publishing, the best advice I have is to keep checking us out. A wonderful collection of short stories from C.B. Calsing entitled All Along the Pacific will be available later this year, the winner of AHL Vol. 1 will be announced, yet another wonderful opportunity project, and of course Volume 2 of An Honest Lie should be available by late October.

OHP: I can hardly wait; it’s looking pretty good right now. Is your desire to publish other writers as strong as your need to write?

D.C.: Absolutely, in some ways it is even stronger. They are both important sides of me and my own personal missions of creating accessible fiction, and to promote and find new authors.

OHP: I’ve read some of your work and I know what’s waiting in the wings as far as Open Heart Publishing goes, I find your imagination fascinating. Where do you draw your inspiration from?

D.C.: Like all artists, and the rest of humanity, my inspiration is an amalgamation of everything I intake into my life. Whether this is through food, drink, music, movies, T.V., books, internet, conversations with strangers, moments of road rage… etc, in the end everything I do is a byproduct of everything I have consumed.

OHP: so many bathroom jokes and waste to writing comparisons to make, so little time. In your opinion, which is the more important discovery of humankind… plumbing or the written word?

D.C.: Definitely plumbing. Though I would like to believe that the written word has changed the world far more vastly than any other human invention, it has also brought about more debacles, damnations and epiphanies than any other invention before or after. Yet, it is in fact plumbing that has done more in the ways of health, safety and the unity of mankind than was ever dreamed of before. Just like pants that go on one leg at a time, so too do we discover that everyone goes to the bathroom and perhaps this could be the very medium by which world peace could be achieved.

OHP: People miss the simplest things sometimes. Are you a writer or a publisher first?

D.C.: I am dictator first, everything else is highly suspect.

OHP: Are there any authors, besides yourself, that you enjoy reading?

D.C.: There are thousands of authors out there besides myself that I love to read. Too many to list and to many egos to inflame or deflate by a mere mention or deletion from that list. I am a voracious reader, and in fact often read books without trying to discover anything about an author before I devour their work.

OHP: Who would you say is your writing mentor/ hero?

D.C.: My writing heroine is Ariel Gore, her book How to Become a Famous Author before You Are Dead is like a bible to me. I read it far more religiously than I ever read any assumed to be “Holy” text. If you are an author or a publisher and have not read this book, then stop reading this article now and hit Google, or whatever search engine you prefer, and find out more about this amazing book right this second. Seriously, you won’t regret it.

OHP: I haven’t read it yet … I know, I know. Do you have a writing nemesis?

D.C.: I sure do, and I have to see that bastard every morning when I get out of bed and wander my way into the bathroom. If you never realize that you are your own worst critic and at times your own worst enemy then perhaps you need to reexamine your artistic endeavors.
Being an artist is about introspection, and introspection is not as easy as getting your temperature taken, on the contrary it is more akin to exploratory surgery on a primitive battlefield where the doctors are still blissfully unaware of the concept of infections caused by dirty hands.

OHP: Indeed! I know how much work goes into producing an awesome literary product; do you have any advice for aspiring publishers out there?

D.C.: Keep to your deadlines. Nothing else matters above your word and keeping to your deadlines.

Is your life in shambles, can’t pay the rent, need a new car… tough shit, keep to your deadlines.

The world is doomed, the wrong political candidate won the election, there is a race of mutant rats overthrowing your city… ah well, stick to your deadlines.

An author needs an extension on their piece, an artist is having issues, your printer is going away on holiday, who cares… Keep your deadlines.

OHP: Why do you feel the need to write?

D.C.: Communication. Communication and communion with the rest of the human race is the endeavor of all people the world over. Whether this is via speech, interpretive dance, collages, decoupage, crochet or writing the need is the same it is in its presentation where we discover all of the dissimilar ways in which we are so similar.

OHP: Besides short stories what other writing endeavors are you currently engaged in?

D.C.: Tons of them. Currently I am working on 4 different books, and I am preparing 3 more volumes to be published this year by Open Heart Publishing.

OHP: It has been a pleasure picking your brain. Just a few more questions; what do you feel about the following quote “Imagination is more important than knowledge?”

D.C.: I believe Einstein was more accurate than he could have ever dreamed, and as the day’s move forward into months, then years, decades and eventually eons we will see just how far down the rabbit hole we can go while taking what we perceived of as reality along for the ride.

OHP: According to Anatole France “To die for an idea is to set a rather high price on conjecture,” in your opinion what do you believe is worth dying for? What do you believe is worth living for?

D.C.: I believe that everything is worth living for, I have yet to find one truly worthy reason to die and for this reasoning alone I am currently refusing any model of living which concludes with such an outmoded way of thinking.

OHP: Mark Twain once said that “You can’t depend on your eyes when your imagination is out of focus.” What do you believe he meant by that?

D.C.: There is a bigger picture in all things with which you may be blissfully unaware at any given moment. As such you aren’t always seeing or understanding what is actually going on at any moment. Pay close attention to everything and all of the details. No matter how unusual, bizarre or even downright ordinary things may appear… they aren’t. They never are.

OHP: Most people have two stories for doing anything… a plausible excuse and the real reason, why do you really write?

D.C.: I write, therefore I am.
Or is it; I am, therefore I write?
Or is it simply, I enjoy telling a story whether good or ill conceived and in the end I want to get paid for it?

Yes to all of the above, and then a whole bunch more that I am quite sure would quite easily become a philosophical debate about the existence of bubblegum on the dwarf planet of Pluto and how that is causing certain politicians’ to vote no to better funding for public education art programs.

OHP: There is a great deal of talking going about your book “A Children’s Book of Necromancy”, I hear that anyone that reads it can become quite powerful and even learn how to raise the dead. Is this true?

Absolutely, Davin. “A Children’s Book of Necromancy,” is absolutely the most important coloring book ever to be published, and I personally promise with absolute barnum sincerity that anyone who reads this book will be able to raise the dead.

If you want to know more about this amazing volume visit the official website here, and you can also visit us at Animefest 2010 in Dallas,TX where you can meet myself and Darcy Melton (the illustrator).

OHP: We are coming up on the publication day for An Honest Lie Volume 2: Delusions of Insignificance very fast. Do you have any plans for a third volume?

D.C.: Yes I do, but you will have to wait until next year to hear more.

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Debrin Case has been making the story more interesting since 1970!
Debrin Case holds a B.A. in English Literature and is currently the founder/publisher of Open Heart Publishing, a company that promotes, showcases, and opens doors for new authors with its annual anthology
“An Honest Lie,” but also for children through its charitable project called, “The Opportunity Project.”
Additionally, Debrin oversees intuitive writing workshops, writes grants for charities (non profits and artistic endeavors), and is an experienced storyteller, ghost writer, and fiction writer.
Previously held the positions of editor for Hedge Wizard Press, and also co-editor for Red River Review.
When asked of the validity of his tales he will normally reply,
“My stories are 50% bullshit… and the rest is questionable, but at least they are honest.

http://debrincase.com/

Jul 16
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The Changing of the Guard

Posted on Friday, July 16, 2010 in Announcements

As some of you may already be aware our Jr. Editor, Erin Marissa Russell has decided to continue pursuing her education and honing her crafts of editing and journalism and has discovered much to her own dismay that she must relinquish her position at O.H.P. so that she may give her full attention to her education.

It is with a sad heart that we say goodbye to Erin, she is truly an amazing editor (as well as a myriad of other artistic talents (a fraction of which can be found in Volume 1 of “An Honest Lie”)), and writers of either a journalistic or literary nature would be wise to listen to her words of wisdom. We have learned a lot from her, and we believe that the same can be said from her about her time and experiences with O.H.P.

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May your journey take you wherever you wish to go Erin; it has been a pleasure to have you with us at O.H.P.

Though we shall miss Ms. Russell, the presses at O.H.P. just do not stop, and there is a mighty large workload to take care of… so it is without further adieu that I am pleased to announce our new Junior Editor, Davin Kimble.

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Davin Kimble

lives and writes from Fort Worth, Texas.
His writing career actually started when he learned to put words together. He remembers quite well the first story he ever wrote. Since then, his work has evolved into hundreds of short stories, poems, songs, essay’s and articles.

He is currently working on his first novel, tentatively entitled “Donovan,” a story about a 30 year old propaganda writer in a future war-torn America.

Davin also creates beats and lyrics for hip-hop and alternative music, and is an amateur photographer and digital artist.

His recent published works are “Stirrings in Hell” in the anthology, “The Devil Inside,” published by the House Of Horror Ezine ; “A New Way of Being”, published by House Of Horror Ezine in their anthology titled “House of Horror Best of 2009, Issue #2;” and “A Remarkable Picture” published by Twit Publishing in their anthology titled, “Twit Publishing Presents Pulp – 2010″. Davin is the Junior Editor for Open Heart Publishing.

To see more of Davin’s work, please visit www.davinkwriter.com.

Welcome aboard Davin, I can’t wait to start hearing about all of the wonderful things we are going to be seeing from Open Heart Publishing over the next few weeks.

From the presses at Open Heart Publishing in Dallas Texas, Happy reading all.

Debrin Case
Publisher: Open Heart Publishing

Nov 4

Featured musician: Lisa Umbarger

Posted on Wednesday, November 4, 2009 in Featured Musician

Musician Lisa Umbarger, of The Toadies and Tile, is here to talk about the soundtrack she and Jennifer Mayes developed for Open Heart Publishing’s book The Cave of Colors, a product of the Opportunity Project.

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Welcome, Lisa! How did you become involved with Open Heart Publishing and The Opportunity Project?

Debrin Case had talked to me about Open Heart Publishing and his many projects. I was really intrigued with “The Cave of Colors” because of the co-creation with the brilliant minds of children. I love the idea of allowing a space for their minds to run free.

And you ended up developing a soundtrack for the book. Musically, what were your influences for the soundtrack?

I really didn’t think about or intend a musical influence for this project. I had the pleasure of watching the children in the creative process and I just tapped into that. The music strayed pretty far away from my rock background. We started with a normal rock bassline and it turned into something quite different.

What is your writing process normally like when you’re going to work on a song?

Jennifer or myself will usually have an idea for a melody or a “riff,” and we play around with it until it becomes a song. We work well off of each other. She adds a dimension to a song that I would never think of and I believe that I do the same for her. That is the beauty of working with another person … their energy coupled with mine takes the idea to unexplored places.

Tell me about your past in the music industry.

My first band, The Toadies, was signed to Interscope Records. We released two full length albums and an EP. We contributed music to many sountracks, including The Crow II and Cable Guy. Our first CD, Rubberneck, went platinum and was very successful.

And what’s all this about you being an ewok?

There is a wonderful story about how I used the money I was paid for playing an Ewok in Return of the Jedi to purchase my first bass. So, George Lucas may or may not have been my musical benefactor. I have been invited to attend many conventions and I have declined them all. Although I have participated in the Make-A-Wish Foundation. I could not turn down a sweet kid who wanted a signed picture of an Ewok. Oh, and I still love Star Wars as much as I did when I was a kid.

I understand the soundtrack to “The Cave of Colors” includes guided meditations for adults and children. Is meditation a big part of your life?

Meditation is very important to me. I have experimented with many types of meditation for years, and oddly enough, one of my favorite places to go during meditaion is to my cave.

In addition to making music, what other areas of the arts do you pursue?

I paint and sketch. I did alot of artistic work for The Toadies as far as t-shirt design and band bio art. I also designed The Toadies logo. I was in the fourth grade when my first painting was displayed in a museum. I was so excited when my paerents took me to see it.

I would have been excited too! Some of your Dallas fans are wondering about the show that was to be the Toadies’ last, at Trees. The show was delayed for several hours and you ended up not playing with the band, to fans’ disappointment. Would you like to share that story?

I was in Scotland at the time. It was a trip that was planned for a few months before the show. The show was scheduled with the knowing that I would not be able to attend. My parents, however, were there because they were the band’s biggest fans. I would have really liked to have played!

How did you and Jennifer Mayes meet, and what other musical projects are you two affiliated with?

Jennifer and I were introduced to one another through a mutual friend. We hit it off right away and are really comfortable writing and playing together. I have a great respect for Jennifer and her talents. I have tried to start a few other projects after the Toadies, and none of them felt as artistically freeing as with TILE (the project Jennifer and I started). Jennifer moved to Portland in August, so we are redifining the collaboration and playing with distance.

Who or what has been most instrumental to your development as a musician?

Definitely, Todd Lewis. He taught me how to play bass. I did not play before I joined the Toadies. I learned as we went along.

That’s amazing. What advice would you give to others who want to be professional musicians?

Follow YOUR dreams. There are always people who will tell you what you should and should not do, and they have no insight into your inner workings. Only YOU know what is right for you. This sometimes means that you will go “against the system.”

What was your favorite part of working on “The Cave of Colors” soundtrack? What was the hardest part?

I really loved doing something different from the usual music I write. It was a great stretching exercise. The hardest part was making sure that we stuck to the children’s vision.

Here’s a hard question for any artist. If you had to choose just one of your five senses to keep for the rest of your life, which would you choose and why?

I would choose the sense of touch, because I could still create art and music with this sense. I would still be able to “hear” the music through vibration and I would be able to create art through feel.

Good choice! Did you get to read “The Cave of Colors“? What did you think of it?

I think that the kids have done a brilliant job.

Finally, if you could talk to yourself when you were a child, what would you say? Do you think you would listen?

I talk to my child self all of the time! I love re-connecting to the innocent free idealistic part of me. I would tell myself that all of the dreams you have been dreaming will come true. I would listen to that!

Hear Lisa Umbarger and Jennifer Mayes’ band TILE here: http://www.myspace.com/tilemusic and read about The Cave of Colors here: http://debrincase.com/blog3/2009/03

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